Delicatessen (1991, French)

Director: Jean-Pierre Jeunet and Marc Caro

Genre: Black Comedy

Plot: A dystopian future where people aren’t evil as such, instead, they are what circumstances make them. The good still prevails, though.

French do know how to make engrossing films on a shoe string budget. Innovative set design and coloring—with a slight orangish tinge—does give it a very rare post apocalyptic look and feel. 

Delicatessen is indeed a cult film—actually, homage to Terry Gilliam! So, if you enjoyed Monty Python’s satire you’ll enjoy this too.  

7.4/10

Prometheus (2012)

Director: Ridley Scott
Genre: Sci-fi
Cast: Noomi Rapace, Michael Fassbender, Charlize Theron

Toward Origin

Plot: It is not where and how Alien/Aliens began, it is where and how everything began.

Prometheus starts with a well thought out Earth seeding scene that is later on corroborated by another DNA matching scene. As is the case with a Ridley Scott film, it isn’t aliens dancing onscreen all the time but the slow-paced narrations builds it toward an expected epic climax and the haunting visual grandeur keeps you glued in. However, the climax never picks up and rather disappoints—from what we know universe started with a big-bang, so expecting a few little bangs while unraveling the mystery of the‘Origin’ isn’t being too farfetched.

The plot ‘engineered humans’ is something I used to think about a lot in my childhood and the film/plot raising the same questions excited me a lot. Prometheus does arouse interest and curiosity but choosing not to answer any questions leaves someone like me wanting for more and dissatisfied—we understand the plot; we know the plot and can relate to it being kind of unmanageable due to its sheer extraneousness but from someone like Ridley Scott we expect a few answers. Though he does try to uncover a few layers but leaves it at that…which is justified in case there’s a sequel in offing. 

Would have loved to see more of Guy Pearce in that TED talk and Michael Fassbander from the pre release viral videos—those were some things I was hoping to see more of! Noomi Rapace does a fine job, especially with her British accent, and some of the best scenes from the film cast her fighting for survival—automated surgery scene being one. Charlize Theron has hardly anything to do, her character seemed forced at times—that’s two forgettable roles in a row for someone as capable as her.

Ridley confirms Prometheus isn’t exactly a prequel to Alien/Aliens but you we do get to see a somewhat similar alien in the escape pod.

Sadly, a onetime watch from Ridley Scott, though you may watch it again for its visual brilliance, neat special effects and state of the art future gadgetry/equipments; plus, the effort in scoping out those Alien world-like locales is totally worthwhile.

Personally, I would enjoy a movie with Prometheus’s pace more on my laptop with headphones plugged in instead of a theatre watch. Primary reason for that: idiotic chatterboxes who either don’t understand a film or are not into a particular genre but instead of leaving the theater they carry on their with incessant gossips, mobile talks and mocking. Agreed, a film doesn’t always have to be intelligent and cinema is actually more about entertainment. So to such blockheads I request, go watch a ‘Dude Where’s My Car’ or a ‘Tashan’ and be happy about it.   
 

7/10

Kekexili: Mountain Patrol (2004, Chinese)

Director: Lu Chuan

Cast: Duobuji, Liang Qi, Xueying Zhao 

Genre: True Story

In early 90s 'Poaching' forced  the Tibetan antelope population to the brink of extinction. Concerned, some localites out of their own efforts, formed a group to protect this endangered species—Mountain Patrol.

The following dialogue beautifully sums-up the entire film: "In Kekexili, each step maybe the first human imprint ever made on that spot since the world began". These were the words of a Chinese geologist who later disappeared in the harsh vastness of Kekexili. Set in a location as exotic as it gets this film is also a true story--an irresistible combination for those into the genre.

First thing that strikes you about the movie is its genuine treatment; shot in somewhat a documentary style. It doesn't seem as if Chuan is directing a film rather he is a part of it, completely immersed in its conception--physically and as well as mentally. The actors are usually amateurs who have done a commendable job and are also very believable as the real patrol members--the group photo at the end of film reasserts this statement.

Here, you get to see the real physical effort that goes into low-budget film-making without stunt doubles or special effects. Traversing through the great Tibetan Plateau, running around for shots and thin oxygen definitely took its toll on the crew and the actors, and that has been captured onscreen too. Some scenes stand out for their authenticity, like the one where a patrol member chases after the poacher on foot. This is simply devoid of any acting--you see the scene and feel the exhaustion of both the characters.

This film is actually a part of National Geographic world films and has been critically acclaimed by the nature/animal lovers and cinema lovers alike.

National Geographic says, "Mountain Patrol: Kekexili is a film inspired by a people's remarkable mission surrounding the illegal Tibetan antelope poaching in the region of Kekexili, the largest animal reserve in China. The story is brought to the screen with great detail by director Lu Chuan. Set against the exquisite backdrop of the Qinghai-Tibetan Plateau, Chuan tells the tale of brave local Tibetans who face death and starvation to save the endangered antelope herds from a band of ruthless hunters."

In all, Mountain Patrol is a very accurate account of coming to existence of biggest Chinese animal reserve.

The film concludes telling us:

"Gayu, the journalist, returned to Beijing. His reports shook the nation. Four patrol members were arrested for selling antelope pelts but later released due to the public support-as patrol was helpless and unsupported in harsh conditions. Chinese government declared Kekexili a national nature reserve."

Indeed, a film that had to be made.

8/10

Never Cry Wolf (1983)

Director: Carroll Ballard

Cast: Charles Martin Smith

Plot: Biologist Tyler (Smith) has his task cut out—his organization has him sent to the Arctic wilderness for researching the reason of decline in Caribou’s population. Most likely, Canis Lupus (wolf) is the culprit.    

Never Cry Wolf is pure bliss. Set in the majestic Arctic, it literally gives you the feel of walking in the air. Essence of uncorrupted nature has been captured onscreen like never before. There are hardly any artificial sounds used in the film and background score used is very minimal. The majestic silence of Arctic is broken only by the chirping of crickets and howling of either wind or Canis Lupus (Arkmanon in Inuit).

When Tyler first lands in Arctic, the sheer vastness scares him a bit. Loneliness is in abundance. But once Tyler starts gelling with the nature, the solitude turns to peace and he doesn’t want anyone or anything to shake up his serenity.   

There are few other interesting characters in the movie:

• The curious white wolf George who lets Tyler into his territory. The initial encounters of the two are very engaging and set the right tone for entire film.  

•  An aged Inuit Ootek who teaches Tyler the ways of the wild and how to imbibe its soul within oneself (something which is later shown in more detail in 2003 film "Snow Walker").

• Rosie and Mike: both are consumed by greed and sell out the nature. Though Mike’s actions are somewhat justifiable as he has responsibilities.  

The screenplay compliments the plot so well. The opening shot with an excited Tyler’s narrative of his journeying toward his childhood dream, and then, the sudden change in tone after the magnitude of situation sinks into him as he ponders over what he’s is actually  attempting—simply top notch. Apart from Tyler’s encounter with the wolf there are some other scenes that give you a good laugh, especially the ones involving Arctic’s omnipresent rodents. No real spoilers ahead but the expressions on Tyler and Mice in a lunch scene are unbeatable!  

Never Cry Wolf was one of the first Touchstone pictures and played a huge part in establishing the successful production house we see today. Beautifully narrated, breathtaking, attracting and holding interest as if by a spell; this film is based on Farley Mowat's autobiographical, albeit controversial, best-selling book about his life among Arctic wolves.

The film concludes with an old Inuit song:

"I think over again my small adventures, my fears.

Those small ones that seemed so big.

For all the vital things I had to get and to reach.

And yet there is only one great thing, the only thing:

To live to see the great day that dawns,

and the light that fills the world."

8.3/10

The Way Back (2010)

Director: Peter Weir

Genre: Adventure

Cast: Jim Sturgess Ed Harris, Colin Farrel, Saoirse Ronan

Plot: Story of a few prisoners’ 4000 mile long arduous escape journey from a Siberian Gulag—a forced labor camp during WWII.

‘The Way Back’ is an epic in respect of its content. Stalin/Russia and Hitler/Nazi are at war, and World War II is the backdrop, any foreigner in Siberia is suspected as a spy; be it Polish, Latvian or American, and is sent to the dreaded Gulag. Prisoners are put through tough labor and, like most forced WWII camps, are underfed. The jail is considered as unbreakable not because of its sentries or barbed wire but because there is nowhere to run and nowhere to hide. Any escapee will either get lost in the extreme and wild Siberian vastness or freeze to death in sub-zero temperatures.

Yet, some escapees attempt this impossible—a freedom-walk from Siberia to India. Conditions for survival are adverse and nature is at its utmost fury. In their mammoth journey escapees chart the depths of snow-covered Cedar forest, measure the length of magnificent Lake Baikal, survive the hunger/thirst of Mongolian desert and ultimately face the grand Himalayas. All through this, they brave the bone chilling tempests of Siberia, sandstorms of Gobi desert, unending nothingness of Tibetan plateaus, and above all, leaving behind their loved ones. Down and out and at the limit of physical exhaustion, their will power and burning desire to reach someone keeps them going. Eventually, the epic journey concludes in Sikkim, India.

The film beautifully portrays some very tender sentiments. Mr. Smith (Harris) comes back from almost dead because of his son. The group’s natural leader Janusz (Sturgess) must wait till Poland’s freedom in 1989 to reunite with his estranged wife who actually gave him away under severe torture. Janusz wants to let her know she is forgiven and deserves peace. With the help of some moving, black&white collages, he is shown to have waited 50 years to meet his wife.

 

It is a visually striking piece of film-making and vastness of plot can’t be covered in a mere 2 hours, which is primarily the reason why some scenes are a bit hurried and beautiful sequences end prematurely when you are craving for more in-depth detailing. Nonetheless this film is a must watch for its sheer multifariousness. When it comes to nature it doesn’t get more diverse and exotic than this movie.  

The film is directed well. An extra hour or so would have given screenplay, along with direction, ample breathing space. Acting is only a second fiddle here, still some sequences like Valka (Farrell) not quitting on mother Russia and risking imprisonment, death scenes of the characters, especially Irena, do touch you. Makeup is simply unbelievable, no surprises it was nominated for Academy in the category.      

Set in 1939 ‘The Way Back’ is based on the novel ‘The Long Walk’ which has been claimed as an account of true events by some world war survivors and veterans. Director, though, maintains it is only a story.    

Any nature lovers or hard core trekkers must do themselves a favor and watch it immediately!

8/10